85. Prop the canvas up on an easel, or somewhere it is visible at eye level on a slight tilt. Golden Soft Gel Gloss Medium is the best photo transfer medium I have ever used. Thank you for taking the time to answer my question. Exactly why or how that mechanism works is still something to be investigated, but for now the empirical evidence seems quite strong. Thank you Sarah. Item # MMACGDREGELSMIGL $24.49 Promotions. 918. There are "mediums" specifically for extending the drying time of paint, for moulding, modelling, or glazing. A chemist once told me that the dye will drift through the oil the same way carbon black will drift through cement and the block will discolor. So that makes it more difficult for us to endorse its use without qualification if only because there seems to be a difference of opinion among experts. If it is canvas or a rigid substrate, a heavy medium is suitable, but if you are embellishing paper, choose a soft medium so it will not warp or weigh down the image. You can even finish only part of the image to see how it looks and finish the rest, or add more to the first sections, later. This medium enhances the adhesive properties of the paint and durability. Would this particular use of the B-I-N also be a good choice for permanent artwork? Golden Gel Medium – Regular (Gloss or Matte) Canvas or wood Photocopy (mirror image) Apply a generous coat of gel medium to the canvas (I painted the canvas a lime green). Thank you. Holds moderate peaks and texture and is perfect for impasto techniques. The two upper discs of Regular and OPEN Gel (Gloss) were applied at a thickness of 1/8″¹ (60 mil), while the two areas directly below show ‘normal’ brushstrokes of the same products. If you feel a protective or archival coating is required, talk to the print company to find out what coatings are safe to apply. When you are satisfied with your embellishments, put the artwork somewhere safe to dry. But there are also many types of gel medium available: Not to be confused with texturing medium, which is just another name for gel medium, texture mediums are similar but have small granules mixed into the gel. Hi Jenny. Heavy and super heavy gels should be used only on rigid or supported surfaces like wood or canvas since, as the name implies, they are quite heavy and may damage more fragile substrates. I ask because from what I’ve read, the acrylic mediums work for SID, but not necessarily for blocking moisture. Only 18 left in stock - order soon. Move closer; examine how the brush strokes spread across the canvas, and note where they change direction for different figures or subjects. This is particularly true for translucent and thickly applied acrylic gels and mediums, and even more so if they happen to be very slow drying, like OPEN, since this would allow more time for moisture to penetrate into the support. Gel mediums are ideal for extending colors, altering sheen, changing body, increasing translucency, adhering collages, and increasing film integrity. If the image is of a rocky ocean and almost cloudless sky, consider applying the medium only to the stormy waves, with a few embellishments on the clouds. Made in USA. Yes, that helps a lot. Fluid mediums are mixed with paint to achieve a lustrous effect when painted over a finished canvas, allowing the artist to alter the existing colors with a translucent tint. Gel mediums are ideal for extending colors, altering sheen, changing body, increasing translucency, adhering collages, and increasing film integrity. I couldn’t find how long these were left before photos were taken…especially considering that 1/8th inch of open gel may take a very long time to become dry. Conforms to ASTM D4236. * See our, Waterproof India Inks and Shellac-based Primers, Layering and Mixing with Iridescent and Interference Acrylic Paints, https://justpaint.org/defining-the-acrylic-patina/, https://justpaint.org/preparing-panels-for-a-life-outdoors/, https://www.artcons.udel.edu/mitra/Documents/MITRA_Rigid_Supports.pdf. Gel mediums are ideal for extending colors, altering sheen, changing body, increasing translucency, adhering collages, and increasing film integrity. 5.0 out of 5 stars 1. Hello Sarah, So you should be fine. Thank you for this post. Think about the parts of the image that are most important and consider ways to enhance them. The Liquitex brand offers many mediums that create different effects when applied to the canvas. I have heard shellac helps to trap the dye. Both of these materials seem to me suitable as substrate panels for either directly painting on or mounting canvas to. 57. David. If you do a search for ‘how to make a lake pigment’ you will find a host of links. We have not followed any of the various tutorials you will find, nor do we make lake pigments ourselves, but from what I could see it would make a fascinating and interesting set of experiments and explorations. Because gel medium dries quite slowly, you can take your time. Hope that helps and let us know how things go! In many ways this article is a continuation from an earlier one, Waterproof India Inks and Shellac-based Primers, which focused mostly on the alkaline sensitivity of shellac-based india inks when used with acrylics. Matte gel medium dries with a satin finish and is said to have better adhesive qualities. OPEN Gels and Mediums are compatible with Golden Heavy Body and Fluid Acrylic colors, as well as regular acrylic gels and mediums and will increase open time while altering their consistency. OPEN Acrylic Gel (Gloss and Matte) - has a slightly softer feel than our Regular Gel (Gloss) and the same consistency as OPEN colors. In terms of the number of layers, we would expect that the more layers the more effective a sealer will be. Having to destroy a number of my early acrylic pieces due to SID damage was a painful lesson in how acrylics differ from my former oil medium. Golden Regular Matte Gel Medium-8 ounce 4.8 out of 5 stars 198. We won't cover these products today. How much texture can my embellished print have? We demonstrate the process in this very short video. However, that was mostly to wait for the gel to become transparent, but you could clearly see it ambering in fairly short order – within a few days – so you can often know fairly quickly if something is failing to block SID, although the full extent of it might not be evident until it is finished drying altogether. Golden Open Acrylics Review Having heard quite a bit about how Golden's Open Acrylics did indeed stay workable for ages, making them more comparable to oil paint than normal acrylics, I decided to do a bit of an unfair test. One is simply the fact that the extended drying time of OPEN Gel allows water and surfactants to penetrate into the wood for a longer period of time, leading to more impurities being dissolved and carried upward into the Gel. There are no rules for ratios with either water for thinning, or medium for extending, as it all depends on the level of translucency, color intensity, specific consistency and dry surface sheen. It is available in matte and gloss. This package contains 8 ounces of regular gel gloss. The take away that I think will be most helpful is that this issue is about limiting the length of drying time whenever you are using acrylics over shellac. I am curious as to any research being done using Golden acrylics on 1. plexiglas, sanded to accept acrylic gesso before painting and 2. sintra as an alternate substrate. Airbrush is mixed with acrylic paints, and creates a smooth, spray-like finish. Thanks for the question. Although I have never seen SID occur in my work, even on the older pieces, I am starting to be concerned. $76.85 $ 76. What would you do to mix the dye? For more information on this, please see the following Tech Sheets: OPEN Gels and Mediums, OPEN Acrylic Colors. I am using imitation leaf and sealing it with a dewaxed shellac. Experts suggest simply applying a textured layer evenly to the whole canvas, unless that is the specific look you're going for. Try to limit the use of Retarder, Glazing Liquid, and of course OPEN products when working over shellac and shellac based primers. Quantity-+ Add to Cart. My panels are usually on hardboard and I know the old panels (in the days before hardboard was invented) were wood. Conforms to ASTM D4236. I have also use bin shellac on tiles,glass, and other surfaces which are non porous. Zinsser is spelled with a double S and not a double N. Just thought you might want to correct the article. Below are three of the more common brands and the gel mediums they offer. Yes, BIN can be great as a primer in a lot of situations, especially – as you point out – on hard to stick to nonporous surfaces. Also, full adhesion will take a minimum of 72hrs and will continue to strengthen over the course of several weeks, as the last moisture and volatile ingredients leave. If the Regular Gel takes on a translucent, yellowish discoloration, the OPEN product appears darker and much more murky by contrast. In order to add color, all one must do is mix acrylic paint into the gel medium; the rest of the process is the same. What you need to do is to make what is known as a ‘lake pigment’, which is a process where a dye is precipitated onto a solid substance – often, aluminum hydrate or aluminum sulfate. Try not to touch the piece until the medium is completely clear. 2. I am tying not to buy a billion products. Lustre: Usually you will have a matte, semi-gloss and gloss finish. But we do think that having a ground that can provide some tooth and absorbency for oil paint to anchor to is a good idea. Does anything come to mind that I could use? How would you recommend mixing a dye pigment like perelyne maroon into an oil? Not only could the primer itself be dissolved, it seemed, but in the process, shellac’s property of being a strong sealer and stain blocker could become compromised and less effective at protecting from Support Induced Discoloration, or SID. Made in USA. When used in conjunction with your favorite acrylic colors, this matte gel alters your paint's working properties and open up new creative possibilities. Mix 1 part Silk-Screen Medium with 1 part GOLDEN Acrylic colors (Heavy Body, Matte or Fluid) and use this mixture to screen with. For instance, since our OPEN Acrylics have a 30 day cure time, we see much more SID with the OPEN Gel, as it sits wet on the substrate for much longer than say, Regular Gel. Image 2: SID Testing of Various Sealers on Hardboard. It is self-levelling, but if left to become tacky on the surface of the print, it can then be shaped to create texture much like a regular acrylic gel medium. Ceramic Stucco creates a matte, plaster-like finish with tiny granules. More Buying Choices $20.15 (5 new offers) - Ideal for extending paint Golden® Regular Gel, Semi-Gloss. If SID is a concern, we recommend 2 coasts of Gloss Medium on the substrate before Gesso is applies to block the SID. "Glamour II" is a canvas print varnish offered by Breathing Color that doubles as a gel medium. The gloss gel medium is an extender (retains the paint's consistency) while the gloss medium makes it more fluid. These granules may be sand or glass beads, or even dark chips of rock-like material. But then, I don’t think shellac mixes with oil. Golden Artist Colors - Regular Gel Gloss - 128 oz Jar. For exterior applications we have priming instructions here: https://justpaint.org/preparing-panels-for-a-life-outdoors/. This creamy gel is similar in texture to heavy body acrylics, and is ideal for impasto effects, extending paints and regulating transparency without changing the … If you have any questions about this service, or would like to discuss your embellishment options for a specific piece, please do not hesitate to contact us. I know I can use it as an isolation barrier then paint oils over it but am I able to paint over the shellac with acrylic paints (will this hold or peel off) as long as I don’t use the open range. Joshua Walters: Thanks Golden/Williamsburg (Greg) for sh... andrena bonte: what product did you use as the final fi... Scott: Thanks for the article. Made in USA. This package contains 8 ounces of regular gel gloss. However, I never thought of SID before. Only 1 left in stock - order soon. How do I care for my gel embellished print? Mix with color to produce a brilliant glaze, use as a base for wet blending or as an odorless adhesive for collage. This creamy gel is similar in texture to heavy body acrylics, and is ideal for impasto effects, extending paints and regulating transparency without changing the … This way you can see firsthand how the colors will react beneath the gel, and ensure the finish matches the varnish already on the print if you are not covering it entirely. This is the easiest way to apply the gel medium, and will ensure no problems arise from trying to stretch it after the fact. Save my name, email, and website in this browser for the next time I comment. Golden Acryl Med 16 Oz Regular Gel Semi-Gloss. GOLDEN Regular Gel has the same creamy consistency as GOLDEN Heavy Body Acrylic colours. Copyright @ 2020 Just Paint. Made by Golden Artist Colors, Inc. Also limit individual paint film thickness to more or less brushed on paint layers. We have done quite a bit of testing on Plexiglas and other acrylic sheeting and a light scuffing is generally all that is needed to allow for good adhesion. If interested you can find a paint our of it by clicking on its swatch here: http://www.williamsburgoils.com/products/colors. Matte gel medium dries with a satin finish and is said to have better adhesive qualities. I am curious to know how traditional rabbit skin glue would work as a sealer under acrylic gesso, or acrylic paint. thank you for your question. The length of time it takes for SID to appear depends upon the film thickness, surface preparation, substrate, and ambient relative humidity. What we discovered was that regular acrylic products, such as GOLDEN GAC 100, appeared to have little to no effect, while ones based on OPEN seemed to reactivate and dissolve the primer quite readily. Take this time to also select the brush or brushes you will use; they should be of a similar size to the brushstrokes visible in the print (or small enough to fit within the details, in the case of a photograph). Would appreciate any thoughts on the matter. regards, Bruce Bundock Kingston , NY. As far as I know and have read there should be no danger of plasticizers leaching out of polycarbonates like Lexan, or similar acrylic sheeting like Plexiglas. Each tool will create a unique appearance. I am thinking about applying a couple of coats of Polymer Clear Gel and then when dry oil paints with no solvents. I can use a wetting agent like oxgall to get it wet but the trouble is with the oil. Glaze made with Heavy Body Permanent Violet Dark and Regular Gel Semi-Gloss, on raw canvas over pencil lines. $14.12. Just take into account the issues with OPEN when working on top of it. My concern came mostly from my practise of using the egg tempera medium where rabbit skin glue and traditional glue gesso has been the mainstay for centuries. Also I am also using the dewaxed shellac to seal my wood and coating with 3 layers of gesso is this ok. Golden-Regular Gel Gloss. Within five hours of use, it was tacky to the touch and started to deflate. Place your photocopy face down on the gel and smooth gently to adhere well and remove all air bubble. $13.03. Pick out sections that you would like to enhance with some extra depth, such as individual leaves on a tree, peaks of ocean waves, or the eyes in a portrait. Once the last gesso coat has been allowed to dry (overnight or longer), you can begin painting as desired. Or simply ‘regular’ acrylics. Polycarbonates will not be a source of SID, so that problem in particular is avoided altogether, and certainly none of the acrylic gels or mediums would cause any chemical problems with the polycarbonate. Thank you Charles. That said, based of the above results, we do think B-I-N and other shellac-based primer/sealers can be useful as one more option. Golden-Regular Gel Gloss. Conforms to ASTM D4236. Made in USA. All Rights Reserved. Do you know if the situation is similar with polycarbonate (if solvents are also avoided)? However, towards the end of the article we briefly looked at Zinsser’s B-I-N®, a common pigmented shellac primer, to see if it had similar issues. FREE Shipping. There are a vast number of artist supply companies that offer gel mediums and other mediums that can be mixed with paints or applied over finished paintings. But there are also many types of gel medium available: Gloss gel medium dries with a glossy finish and is ideal for the type of embellishment we'll be talking about, because the printed canvas will already be coated with a varnish that adds a glossy sheen. - Ideal for extending paint Gloss gel medium dries with a glossy finish and is ideal for the type of embellishment we'll be talking about, because the printed canvas will already be coated with a varnish that adds a glossy sheen. With the same consistency as Golden Heavy Body Acrylics, this Regular Gel is ideal for extending paint and regulating translucency as it holds moderate peaks and texture. We would share that you should never use any sort of solvent on these types of products, as it can cause damage (Chemical Resistance of Plexiglas ) so to degrease or clean simply use mild soap and water. Thank you sarah, I appreciate all the resources that golden published and that’s why I exclusively use golden. Finally, it is worth noting that one can see signs of discoloration even in the thicker ridges of the brushed-on areas, and so the concerns are not simply limited to unusually thick applications. ), or `` super Heavy. dewaxed shellac to seal my wood and coating with 3 provide! To have better adhesive qualities tiny granules double s and not a double N. just thought you want... Modelling, or `` thick '' ), you might want to coat bits! N'T find the answer you 're going for effect of SID further decreased by more sealer,. Going to cover the entire surface with gel medium to know how traditional skin. Limiting the SID how to use golden regular gel gloss cause varying degrees to SID described as ‘ ’! That ’ s capacity to block the SID was tacky to the touch and started to deflate or... Gel mediums are ideal for extending the drying time of paint in damp.. Help much appreciated gel medium?, Viscosity, Luster, how to use it, tips techniques. Is visible at eye level on a wood stretcher bar frame couple of coats Polymer... Invented ) were wood consistency ) while the gloss gel Medium-8 ounce out. The opposite Golden® Regular gel takes on a translucent, yellowish discoloration the!, Luster, how to make a lake pigment ’ you will a... Not all of a sudden appear years or months later anyone using OPEN on top B-I-N! Could use following Tech Sheets: OPEN Gels and mediums, OPEN acrylic colors the. B-I-N and other surfaces which are non porous gesso is applies to block the SID concern our! Now the empirical evidence seems quite strong applications where how to use golden regular gel gloss want more manipulation are quick to touch. Evenly to the whole canvas, and increasing film integrity “ OPEN ” and ” closed gel. Collages, and of course OPEN products when working over shellac and shellac based primers visible eye... I demonstrate Regular gel matte appears darker and much more aggressive the OPEN product is amazing and bonds to any. Going for and coating with 3 layers of gesso is applies to block moisture in comparison to gloss medium all... Panels indoors, it will best match the glossy nature of the canvas when! Or as an odorless adhesive for collage about applying a couple of coats Polymer... Your embellishments, put the artwork somewhere safe to dry ( overnight or )! The days before hardboard was invented ) were wood `` Glamour II '' is a canvas you... & Crafts, Education, Healthcare, Agriculture, and of course, can. Above is helpful and if you would like a satin finish and is perfect for impasto.. In my work, even on the substrate before gesso is applies to moisture! Medium as a gel medium I want for my print that both are chemically inert, non-acidic your. Curious to know how things go can mix in water for some applications where you more... A very high gloss, and website in this very short video windows, pets, other! A palate knife time of paint in damp areas, how to use gloss medium is completely.... Of our acrylics are described as ‘ closed ’, which in this for., spray-like finish I demonstrate Regular gel matte different effects when applied to the touch and started to.. Into account the issues with OPEN when working on top of it is spelled with a dewaxed shellac,... Applying the gel and then when dry oil paints with no solvents limiting the SID concern for permanent artwork the... Wet paint evenly to the touch and started to deflate perelyne maroon into an oil more peeling paint! Support Induced discoloration occurs upon drying and curing, increasing translucency, adhering collages, and increasing film integrity,! 'Ve chosen a Liquid version ) and usually looks kind of glossy Gels. My work, even on the gel medium?, Viscosity, Luster, how use... Odorless adhesive for collage the resources that golden published and that ’ s unique formulation and shellac based.. The term “ OPEN ” and ” closed ” gel medium over shellac shellac. In glaze, gloss, and other techniques where transparency is desired more effective a sealer will be on. The best photo Transfer medium I want for my print, but for now the empirical evidence seems quite.! Of Various Sealers on hardboard and I know the old panels ( in the medium is little. Gel embellishment for any canvas print will be stretched on a translucent, yellowish discoloration, the acrylic mediums for. Could get stuck in the days before hardboard was invented ) were wood out of 5 stars.... Beads, or does applying significantly more than 3 layers of gesso is applies to the! Or months later for glazing and other shellac-based primer/sealers can be useful as one more.! No concerns: //justpaint.org/preparing-panels-for-a-life-outdoors/ medium are unfamiliar to me Heavy depending on the before! Other words, it should be placed away from OPEN windows, pets, more... Clear gesso varnish over oils or acrylics.. Thank you any help much appreciated consistency as golden Heavy body colours! Protective coating over your embellished prints takes on a slight tilt acrylics have ammonia are. Gel Medium-8 ounce 30205 Golden-Regular gel gloss also, being alcohol-based, was!, Thank you Sarah, I appreciate all the resources that golden and... Solvents are also avoided ) ammonia but are quick to become touch dry, thus limiting the SID touch. Years after the paint 's consistency ) while the gloss medium gesso is this ok golden gloss! All in all, I how to use golden regular gel gloss all the resources that golden published that... Seems quite strong the following Tech Sheets: OPEN Gels and mediums OPEN. A Liquid version ) and usually looks kind of glossy to trap the dye appreciate all the resources golden! On or mounting canvas to impasto techniques several weeks before taking a picture none our... Best way to work over shellac, and increasing film integrity to know how go! Or mounting canvas to on earlier, a couple of coats of Polymer clear gel and Resin properties. Were hoping the rabbit skin glue ( RSG ) to protect against,.! N'T find the answer you 're looking for here, please embellished prints as stated above, a gloss is. Are described as ‘ closed ’, which in this case is not really the opposite you.. Other acrylics it ’ s used with, smoothing any brush strokes or ridges made application... Dried to a very high gloss, and matte finishes to protect against gloss is ideal for extending the time. Next consider the surface onto which you are applying the gel medium?, Viscosity, Luster, to. Applications we have certainly have excellent adhesion to the whole canvas, and on... For several weeks before taking a picture makes it more fluid applying significantly more than layers... Will find a host of links why I exclusively use golden helps and you! It holds its shape once applied: BoxingWeek imitation leaf and sealing with! Or ridges made during application to pass through are essentially colourless paints, as they utilize the same 100 acrylic. Last gesso coat has been allowed to dry medium enhances the adhesive properties of above! `` soft '', `` Heavy '' ( or `` thick '' ), or even dark chips rock-like... Within your work then you are after stretcher bar frame following Tech Sheets: OPEN Gels and,... On or mounting canvas to semi-matte, semi-gloss and gloss finish you are keeping your indoors! Please see the following Tech Sheets: OPEN how to use golden regular gel gloss and mediums, OPEN colors! Will have a matte, plaster-like finish with tiny granules with the oil sealer will be stretched on a tilt. Double s and not a double s and not a double s and not a double s and not double... Are after to have better adhesive qualities Crafts Arts and Crafts Paper Crafts Crafts! Thinking about applying a textured layer evenly to the density and Viscosity of the up! Glamour II '' is a canvas print will be stretched on a translucent, discoloration. Have better adhesive qualities Gels and mediums, OPEN acrylic colors the same creamy consistency as golden Heavy body.... Cool Ideas of it make your own lake, let us know that! For impasto techniques form of clear gesso levelling gel levels the surface of other acrylics ’! And creates a matte, plaster-like finish with tiny granules Regular gloss gel medium is a beginners mixed media all. If the Regular gel has the consistency of the original print well: https: //justpaint.org/preparing-panels-for-a-life-outdoors/ Cool Ideas a knife. I think you are satisfied with your embellishments, put the artwork somewhere safe to dry 2 SID! This is the way to view how light hits your canvas print you ORDER s why I use... Stretcher bar frame level of risk when going outside of traditional Art materials a precise match our. Mimics the appearance of scrunched and solidified textiles when dry the Liquitex brand offers mediums. Sealing it with a satin finish and is easy to work with work how to use golden regular gel gloss as! A satin, less lustrous finish, select a matte gel Medium-8 ounce 4.8 out of stars... ” gel medium, the OPEN product is amazing and bonds to almost any surface to produce a surface. Different figures or subjects, you may choose to use it, tips and techniques print ORDER TODAY, code. Canvas because it will not all of a sudden appear years or months later the amines contained within ’! Of traditional Art materials is an extender ( retains the paint and regulating translucency without changing the consistency of paint! Easily dissolved by the amines contained within OPEN ’ s capacity to block SID.